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Sudden fiction: American short-short storiesBy Robert Shapard
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Here Are 70 of The Very Best Short-Short Stories of Recent Years Including Contributions From Such Contemporary Writers As Raymond Carver, Leonard Michaels and John Updike; A Few Modern Masters As Hemingway and Cheever; and An Assortment of Talented New Young Writers. Sudden Fiction Brilliantly Captures The Tremendous Popularity of This New and Distictly American Form.
- Sales Rank: #1803201 in Books
- Brand: Brand: G.M. Smith
- Published on: 1986
- Number of items: 1
- Binding: Paperback
- 263 pages
- Used Book in Good Condition
From Publishers Weekly
The short fiction (each piece is one to five pages long) in this collection represents the richness and variety of American writers. A few are no longer contemporary (Hemingway, Malamud, Cheever), many are well established (Paley, Oates, Updike, Donald Barthelme, Ray Bradbury, Peter Taylor, Raymond Carver) and many are newer presences on the fiction scene. With a tiny "frontisstory" by Robert Coover, a lighthearted introduction by Shapard and afterwords about the short-short-story form by 40 outstanding American writers, the definition of what lies between as "sudden fiction" is well attended to. The 70 pieces themselveshighly compressed, often tantalizingdisplay a multiplicity of modes and derive from a variety of traditions. The collection presents a group of writers whose miniature stories do, indeed, as the editors suggest, "confer form on small corners of chaos."
Copyright 1986 Reed Business Information, Inc.
From Library Journal
This anthology contains 70 stories, all under five pages. There are a few standards by Hemingway and Cheever, but most are contemporary pieces by such writers as Paley, Oates, and Carver and some unknowns. At its bestas exemplified by the offerings of John Upike, Arturo Vivante, Bel Kaufman, and Charles Johnsonthis "sudden fiction" form is devastating, at its worst, mere anecdote, but overall this is an unusual and well-conceived collection. In an afterword, 40 writers/editors discuss the genre's limitationsdoes it exist? what to call it?succinctly enough that the book may serve as a text for creative writing students as well as an interesting departure for the general reader. Recommended.Peter Bricklebank, English Dept., City Coll., CUNY
Copyright 1986 Reed Business Information, Inc.
Review
The editors of Sudden Fiction argue for consideration of the shott-short, a highly compressed narrative of under 2,000 words, as a uniquely modern sub-genre of the traditional short story. But while presenting the reader with an abundance of short-short fiction, neither they, nor the writers commenting in the theoretical "AfterWords" section of this anthology, are able to arrive at common agreement as to the aims and characteristics of this form. This is perhaps as it should be, given the diverse antecedents of the short-short in such types as the fablek, folktale, and Zen koan, as well as the myriad directions the contemporary offshoot has taken, encompassing works as different from one another as Tennessee Williams' carefully plotted narrative, "Tent Worms," a modernist fable like H. E. Francis' "Sitting," Peter Taylor's psychological study "A Walled Garden," and the anecdotal humor of Roy Blount Jr.'s "Five Ives." Hemingway and a few other past masters are included to show the historical development of the short-short, but emphasis is on stories of the past five years. Updike, Oates, and Malamud are represented, as are writers recently established, such as Raymond Carver and Jayne Anne Phillips. While not resolving any of the theoretical problems involved, this is nevertheless a lively and thoughtprovoking collection of short fiction. -- From Independent Publisher
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